Seating is a surface.
Seating is an action.
Seating is an occasion.
Is anything not for sitting?
Let's make an engaging and artistic approach to seating that transcends just “four legs.”
From two-dimensional Sharpie sketches, to three-dimensional models of scrap wood, gel filters, and hot glue, this project was highly experimental and exploratory, with a focus on play.
Choice 2: The modular cushion bench would be slatted or slotted, so that particular cushions could be plugged in and various arrangements could be made. Cushions can be used how the users see fit. This design became too broad for an intended purpose, yet the plug-in cushion idea was too limiting.
Choice 1: Grassy, Ruinous Hill
The ruined steps of a monument are overgrown by a grassy hill. You can relax on the hill, or tie your shoes on the old steps. Designed to seat many, and be a transitionary space, between the living space and the entrance of a home. Form factor was influenced by found wooden scraps.
Rather than having a monolithic mass to act as a multi-use seating surface, the form was re-interpreted as two sweeping branches that have happened to fall together, which would serve the same purpose. This version was named "Embrace."
Embrace Version II: Two sweeping, curved pieces of wood that furl into each other. Designed as a transitional piece located between an entrance and a living area. Contrasting wood tones and tangent intersections create visual and physical tension between the boards.
However, this arcuate form is not suited for its purpose. Only one opportunity exists to sit (in green), while another would be quite uncomfortable (in red). Ergonomics had not been considered.
This sinuous form now can accommodate much more action and purpose, acting as a multi-functional bench and lounge for young couples.
Having fallen together, like two branches from separate trees, Sinu embodies tenseness of sinew and the grace of sinuous curves.